Saturday, November 7, 2009
The Politics of the Pool Hall
Friday, November 6, 2009
Maybe The Young Just Ain't Listenin'
Just finished reading an interview Pitchfork did with frontman of The Strokes and recent solo-adventurer, Julian Casablancas. I'm in the midst of finishing a review of Casablancas' solo effort, Phrazes for the Young, for Boom Box so I've been scanning a lot of his interviews lately. This month's issue of SPIN had a similar vibe (save for the talk of video game design and Ben Franklin) with another bleak standoffish comment in regard to the future of The Strokes and more so the struggle to record this illusive followup to 2006's First Impressions of Earth - which was also considered the least commercially and critically received album in the band's discography. Pitchfork: I read in a recent interview in the Guardian that Benjamin Franklin is one of your heroes and that you have dreams of inventing things. What kind of inventions do you have in mind?
JC: I don't know why I say these things in interviews. I'm just talking about practical, silly stuff. For example, a piece of luggage that also turns into a luggage cart. I might sell stuff on a website in the near future and see how it goes.
I've always had a serious desire to design video games, too. Mostly because there are a few things about video games that drive me nuts. Like, when you're playing a car game and you think, "Why can't I make a right turn here?" Or when you're James Bond and you can't turn around and shoot the guy because you aim at the ceiling and then the floor.
Pitchfork: Maybe you're just not that good at these games.
JC: [Laughs] No, I'm not explaining myself well.
Pitchfork: Do you have an idea for your own video game?
JC: No. I mean, yes...but I can't bring myself to get into it. It's embarrassing.
Pitchfork: C'mon.
JC: I have this one crazy idea. Do you remember Mario Kart for Nintendo 64? Well, something like that but the cars would all be from movies and TV shows, like the 60s Batmobile or the "Knight Rider" one or the "Dukes of Hazzard" car. Stupid ideas like that. You end up playing a lot of video games on the road.
Posted by Ryan Dombal on November 6, 2009 at 8 a.m.
I'll admit I was never one of those huge fans of The Strokes. Not that I had anything against them it was more a matter of never finding the opportunity to dive right in. You know there are those prototypical "Stroke fans" that give off a certain vibe? I used to have a weird appreciation for those types for some strange reason. Finally a couple years back I dove into their discography head first by dedicating a solid two weeks to nothing but their garage rock revival playing through my iPod. It was enjoyable, surprisingly so actually.
Afterwards I dabbled in Strokes' guitarist, Albert Hammond Jr's solo efforts which were likewise great albums. They had this sort of dreamy, calmness about them which, at the time, I thought was a big evolution from his work with the band.

The cover art for Phrazes is pretty rad though - it's a rendition of the old RCA logo.

Well, sort of.
Since listening through Casablancas' album I'm wondering what the future of The Strokes will even look like - if there is one, of course. Phrazes was recorded in three different studios (NYC, LA, and Nebraska - seriously) which is noticeable between the jumbled tracks. I'm not really diggin' it too much which is a downer cause I was hoping for a lot more order to it.
Check out the video for "11th Dimension", it reminds me of a cheap 80's beat sure to catch your ear at first but gnaw at it by repeat play. Maybe that's a lil' too harsh but I think the album in it's entirety is kind of frustrating. Just sayin'.
Well, you can't win 'em all.
(I really screwed up the formatting on this thing today - apologies folks)
Thursday, November 5, 2009
The Art of the Deal
Applying for jobs the past six months has given me a keen eye for what not to do. Have you ever felt so goddamn strong?
Today is a good day.Wednesday, November 4, 2009
Get Happy.
Tuesday, November 3, 2009
Wagons East
I'm the biggest Phillies fan EVER.



